Extreme close-ups of the doorframe’s paint cracks, the dancer’s floating hand, dust motes illuminated midair.
The mothers were not told in advance. After the destruction phase, Hangan mailed each mother a print of the corresponding image, along with a handwritten letter explaining the project. Several mothers responded with their own photographic replies, which Hangan has kept private. alexandra hangan sets 41-50
A model wearing a corset made of repurposed rubber tubing, with powdered milk and iron filings applied to her hands as if dipped in a metallic river. Extreme close-ups of the doorframe’s paint cracks, the
Nothing happens for 30 seconds. Then, simultaneously, each figure places a hand over one eye. They hold the pose for 10 seconds. Then they return to stillness. Then, simultaneously, each figure places a hand over one eye
Set 41 opens the sequence with a jarring juxtaposition: delicate, hand-embroidered lace submerged in saline humidity. Hangan collaborated with textile artist Ioana Stancu to create garments that were intentionally left to corrode during the 14-hour shoot.
For those studying , Set 48 is often the viewer’s favorite because of its deceptive simplicity. It requires no props, no elaborate sets, no destruction—just fabric, heat, and time. Set 49: The Knotted Spine Release Date: July 2024 Collaborator: Orthopedic sculptor Andrei Popa
In the world of high-concept fashion and avant-garde styling, few names have generated as much quiet intrigue in recent years as Alexandra Hangan . The Romanian-born creative director and stylist, known for her deconstructivist approach and her ability to blend folkloric motifs with dystopian futurism, has a body of work meticulously cataloged by her most ardent followers. Among collectors, fashion archivists, and editorial strategists, one specific range has reached near-legendary status: Alexandra Hangan sets 41 through 50 .