The protagonist tries to justify his laziness, his compromises, and his small hypocrisies to the reader. In doing so, Pu. La. holds up a mirror to the reader. We laugh at the character, then realize we are laughing at ourselves.
However, it is not a traditional travelogue. It is a journey inside the author's mind. As he visits museums and concert halls, he compares Western aesthetics with Indian sensibilities. The title Apoorvai translates to "Oh, the wonder!"—and indeed, every page exudes a childlike curiosity mixed with scholarly depth. p l deshpande books
Originally a series of weekly columns, Batatyachi Chawl is a fictionalized account of a bustling, chaotic, yet endearing tenement building. The "Batatya" in the title refers to a common man—mischievous, witty, and frustratingly human. Through the eyes of the narrator, Pu. La. introduces a cast of characters: the eccentric Khorashi aajoba, the playful children, and the gossipy neighbors. The protagonist tries to justify his laziness, his
This book defines the genre of "character sketch" in Indian literature. Pu. La. doesn't mock his subjects; he celebrates their quirks. Reading Vyakti Ani Valli feels like sitting in a room with a wise, funny uncle who points to peculiar people and whispers, "Look at them—aren't they wonderful?" The Philosophical Travelogue: "Apoorvai" Not all p l deshpande books are slapstick comedies. Apoorvai is proof of Pu. La.'s versatility. The book documents his travels to Europe and his observations about Western culture, art, and music. holds up a mirror to the reader
While contemporaries focused on serious realism or romanticism, Pu. La. carved a niche in . However, to label his books as mere "funny reads" would be a disservice. His humor is laced with pathos, his satire with deep humanism. He is often called the "Mark Twain of India," but in truth, Pu. La. stands on his own unique pedestal. The Crown Jewel: "Batatyachi Chawl" When discussing p l deshpande books , one title inevitably rises to the top: Batatyachi Chawl . If you read only one book by Pu. La., let it be this one.
For the introspective reader. If you want to see Pu. La. not just as a humorist but as a philosopher and critic of art, this book is essential. Social Satire: "Asa Mi Asami" In Asa Mi Asami (Such a Person I Am), Pu. La. turns his gaze inward. The book is a monologue—a dramatic, humorous confession of an average man grappling with his own mediocrity, moral failings, and societal pressures.
The book is a series of character sketches based on real people Pu. La. encountered in his life. Unlike pure fiction, these sketches feel alive. You will meet the obsessive Ganpatrao Khasne, the philosophical Bayasaheb, and the unforgettable Laxmanrao Rege.